Essay mystery painting rectangle

There are many strategies for keeping the viewer in that delicate balance of seeing the painting as both window and surface. Divine what the Founding Fathers intended and strictly adhere to it, or risk anarchy. A painting is both a tangible surface and a perceptual space.

The restrictions are the source of the poetry and the thrill.

Mysteries of the Rectangle: Essays on Painting

I suspect that standing in front of the piece would give me a totally different experience but I was left more bewildered than enlightened. She obviously has done her research very thoroughly and is able to easily reference the scholarship behind her interpretations.

I try to keep up with it. And that is happening all the time. She explicitly chooses not to discuss works of art in a clinical and detached way but rather she bravely shares the emotions she experienced from the art.

Looking at a painting is a magnificently dense experience for me. I get excited when I discover someone who is adding another layer to its tapestry of possibilities. I am thrilled when I hear others speak it well. Allowing the inspirational source itself to provide the gesture while acknowledging the Essay mystery painting rectangle.

An Essay by Jim Cogswell Paint is a living language for me, with grammars and nuances that challenge me Essay mystery painting rectangle any other intellectual or creative pursuit that I have ever experienced.

Simple parenthetical references would have smoothed the reading process for me. I often found myself flipping through the essay to see if a painting she mentioned was reproduced or not. Or it is the Constitution. The task of doing that well is mammoth.

The tension is the thrill. For others it is the Bible — the Holy Writ. For me, painting as a language and practice is alive and changing all the time. We bring with us to the viewing all of our experiences, biases, and emotions and view the work from this perspective, not from that of an automaton.

Within a painting, color has the capacity to become a noun, one might even say a concept in itself. For others, it is one minor piece in a complicated art world chess game, a pawn to be moved about in a theoretical construct of art practice. Great painters create fluctuating tensions between the experience of seeing surface and depth.

Color becomes magical and potent when it crosses that threshold from adjective to noun, from quality of thing to thing in itself. This is my first experience with this author but I hope to read more of her work since she seems to be a genuinely interesting, educated person with unique perspective, a good combination for an author.

This to me seems a much more authentic way of discussing art — too many critics or experts pretend to be completely unemotional beings while analyzing art which, for humans, is simply not possible.

Two things I found unfortunate about the book: All of these strategies and many more work in tandem with our desire to recognize objects or qualities of experiences, even intangible feelings, within that structure of colored marks on a surface. All of it is accomplished within a tight range of restrictions.

For some people paint is simply a material, another medium, and a very traditional medium at that. I never tire of it. A balanced experience of absorption and self-awareness.

A big issue is how to translate the materiality of paint into something that points beyond itself. I struggle to speak it better. While I occasionally disagreed with her analysis, this too is not out of the ordinary when interpreting art and I welcomed her ideas. I love visiting countries where it is spoken.

Those desires are closely tied to our perceptual experiences, ways that the brain is hard wired but also shaped by cultural context, historical exposure. Secondly, she refers to many more paintings than are reproduced in the book which is fine but referring to those that were included would have been nice i.

Overall this book is well worth the time and an easy read that will leave you enriched.These wonderful essays capture Hustvedt's thoughtful, intensely personal and aesthetically charged responses to art.

Mysteries of the Rectangle: Essays on Painting Siri Mystery/Detective. Download and Read Mysteries Of The Rectangle Essays On Painting Siri Hustvedt Mysteries Of The Rectangle Essays On Painting Siri Hustvedt Some people may be laughing when looking at you reading in your spare time.

Most importantly, these essays exhibit the passion, thrill, and sheer pleasure of bewilderment a work of art can produce—if you simply take the time to look. Download Mysteries of the Rectangle: Essays on Painting. Read and Download Mysteries Of The Rectangle Essays On Painting Siri Hustvedt Free Ebooks in PDF format - MCSA INTERVIEW QUESTIONS AND ANSWERS SKI DOO ELAN SERVICE MANUAL GPC MATH Get this from a library!

Mysteries of the rectangle: essays on painting. [Siri Hustvedt]. Get this from a library!

Mysteries of the rectangle : essays on painting

Mysteries of the rectangle: essays on painting. [Siri Hustvedt] -- In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries.

In her essay on Giorgione's The Tempest, a.

Essay mystery painting rectangle
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